Blog @ Fordham IPLJ
Fordham Intellectual Property, Media & Entertainment Law Journal
April 5, 2024
In a potentially game-changing lawsuit for both the publishing and AI industries, The New York Times sued OpenAI and Microsoft, claiming copyright infringement, but the legal battle between The Gray
April 3, 2024
The impacts of fast fashion have historically been overlooked by consumers and regulators alike. This is beginning to change as new regulatory proposals, intended to drive greater sustainability in the
April 1, 2024
This article delves into the nuanced battle between trademark law and the First Amendment, spotlighting high-profile cases like Jack Daniel’s v. VIP Products and Vans v. MSCHF. It explores how
March 5, 2024
Whether we are ready for it or not, AI-generated content in campaign ads is already here. Although the risks of deception and misinformation are significant, it is unclear what
February 28, 2024
The status of African material heritage in museums has changed dramatically in recent years. Few examples offer a better case study to examine its competing ownership claims than the so-called
February 27, 2024
Challenges to the books in school libraries have increased dramatically in the last three years due to targeting by conservative politicians and advocacy groups. It is more critical now than
February 26, 2024
Is switching a hydrogen atom with a deuterium atom in a molecule enough of a substantial change to warrant patent protection, or is it an insubstantial variation just looking to
February 25, 2024
Gabrielle Sanchez is a second-year J.D. candidate at Fordham University School of Law. She is a staff member of the Intellectual Property, Media & Entertainment Law Journal. She holds a
February 24, 2024
Anker Fanoe is a second-year J.D. candidate at Fordham University School of Law and a Staff Member of the Intellectual Property, Media & Entertainment Law Journal. He holds a B.A.
February 23, 2024
Britney Spears and Michael Oher faced down their conservatorships and got out. Yet, their conservators spun distorted narratives, tinkered with their public images, and capitalized on their personal brands. Post-conservatorship,
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